That undiscovered country from which no visitor returns, Using nothing more than an unsheathed dagger?Īnd sweat through a tiring life, if they weren’t frightened When you could just settle all your debts The pangs of unrequited love, the slowness of justice,Īnd the general abuse of good people by bad. The oppression of the powerful, the insults from arrogant men, That’s the consideration that makes us sufferīecause who would bear all the trials and tribulations of time. Because the kinds ofĭreams that might come in that sleep of death-Īfter you have left behind your mortal body. To sleep, perhaps to dream-yes,īut there’s there’s the catch. To die, to sleep-because that’s all dying is-Īnd by a sleep I mean an end to all the heartacheĪnd the thousand injuries that we are vulnerable to. Is it nobler to suffer through all the terrible thingsįate throws at you, or to fight off your troubles, To live, or to die? That is the question. However, a modern English rendering can untangle some of the puzzling lines and Elizabethan turns of phrase.īen Florman, LitCharts’s co-founder, wrote the following modern English translation of Hamlet’s soliloquy: The speech is a stunning work of art and the most-studied of all of Shakespeare’s plays. A modern English translation of Hamlet’s soliloquy With this regard their currents turn awry,Īnd lose the name of action. Is sicklied o’er with the pale cast of thought,Īnd enterprises of great pitch and moment Thus conscience does make cowards of us all, The undiscovered country from whose bournĪnd makes us rather bear those ills we have With a bare bodkin? Who would fardels bear,īut that the dread of something after death, That patient merit of th’ unworthy takes, The pangs of despised love, the law’s delay, Th’ oppressor’s wrong, the proud man’s contumely,
When we have shuffled off this mortal coil,įor who would bear the whips and scorns of time, To sleep, perchance to dream-ay, there’s the rub,įor in that sleep of death what dreams may come That flesh is heir to-’tis a consummation The heartache and the thousand natural shocks Or to take arms against a sea of troubles,Īnd, by opposing, end them? To die, to sleep. The slings and arrows of outrageous fortune, Whether ’tis nobler in the mind to suffer To be, or not to be? That is the question. First, here is Hamlet’s soliloquy in its entirety. There’s more to it, of course, than “to be or not to be.” Here are some features the speech that you may not have been aware of. It’s likely that you have heard, read, or said the famous opening words of the speech: ‘to be or not to be.’ Hamlet’s soliloquy contains what is probably the most-quoted line in all of Shakespeare: ‘to be or not to be.’ TIME’s compilation of the top 15 Shakespeare quotes put it at the top of their list.
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